Today I attended the last day of filming of the last project I’m working on. This project, as sometimes happens with good things, came to us suddenly from nowhere. One day Jesus (my boss) told me that he has a great script in his hands, and after a couple of days, without knowing how or why we were caught in the scrub. In this case, my work has been, for the moment, the artistic designs for the atrezzo. Posters, labels, covers of books and magazines, including a business card and a label for a can of drink and the, in principle, future poster presentation for the film.
This is an ambitious film in history and short on the means and resources (for which is usual in the filming industry at least), no zillions of millions for materials, cameras, mainstream stars …… just enthusiasm and hard work. In fact this has been one of the criticisms that have emerged in the press conference, while Woody Allen when he came to Barcelona to shoot the council gave him a grant of one million euros, to independent films like this, when asked permission to shoot in a cemetery in the city they responded that they had to pay 500€/hour
Although I could not read the entire script, the film speaks about the dangers of a society (ours) hiperconsumerist and “too much” informed, posing a hypothetical and not too distant future in which people are easily manipulated through various means and that’s all you can get from me now. Now, after the shooting, we still have a year of post-production, as the film has a high percentage of scenes in computer animation.
As to today, well, on Saturday afternoon I received a call from Jesus in which he said they had Fernando Arrabal to make a small role in the film and needed a poster for the presentation in a press conference they will offer today. After having the poster done, today I received an invitation to attend the press conference and the shooting of the last scene. Although not my first shoot (a few years ago I made an extra … better not to remember), it was the first time that I am directly involved in even when it’s been a small part (unfortunately I could not attend the filming of the Extremo teaser, that video I showed you a couple of entries below). It’s been a great experience which I enjoyed a lot, including the Fernando Arrabal lecture of his lines. On the other hand I can assure that the “interior” of a film is much less glamorous and has more hard work than what people tend to think … well, I do not think Hollywood superstars take these beatings upon themselves, but as for almost all, Hollywood is another planet. Certainly a film is not only done by the actors, there’s a hive of people who “break their backs” and who you’ll probably never see their faces or know their names (if you are not of that very few ones that read the credits, of course )
Anyway, a pleasant experience that I hope to repeat very soon (this will mean that I’ll be working). Here you have all I can show for now, that is, the poster for the press conference, although you will get an idea of the style of the rest…or probably not. It has been great seeing that in 70×90 cm at the entrance to the newsroom and projected on a huge screen behind the speakers.
As I can you’ll have more.
Well, here I present you the latest work I’ve been doing. This is the video clip of Begging the waves, the latest single from Lídia Pujol, a Catalan singer / songwriter that I did not know until this work and whose music has pleasantly surprised me, highly recommended. In her latest album released to date, “Els amants Lilith” she collects songs from the folk tradition, collected around the villages of Catalonia, Valencia and the Balearic Isles, from the mouths of those elder women who sang to her. Those songs are sung in Catalan language but even though, they are beautiful and… how many of us hear a lot of music without knowing what they are saying?. Anyway, this single Begging the waves move away a bit from popular music for something a bit more ….actual and it is the germ of a new album.
In this case, the video clip is directed by Jesús Manuel Montané (at the time, my boss) and produced by Grupo Estudio. I have been in charge of production design, making the initial sketches to define the aesthetic of the video (was not that hard because Jesus has the ideas quite clear from the beginning) and been responsible for the matte painting and the “flying objects” that you can see in the final video. For the moment, given that it is in promotion I can’t show you the full matte painting that was used for the video, but you can see quite well at the end of the song (as well as in the back of the single). I was also responsible for redesigning the cover of the single, based on a photo of Lídia taken by Santi Yaniz.
You can download the song for free (for now at least) in Lidia’s site www.lidiapujol.com, where you can listen to some of her songs (attention to the beautiful and dramatic La nina i son germá). Also available through iTunes.
Before those who work at home jump to kill me I must clarify that I work at home. Well, this post comes from a comment that someone made the other day and that seems to be the majority view among people who have a “normal” job. Consider the situation:
As each evening I went out to the street to have a coffee with my girlfriend, we live together and since, as I said, work at home, I use this outlets to have a little break from work. As we walk, someone greets my girlfriend and asks what’s normal at this time, “how are you?” “you’ll go out on holidays?” … to what Carmen (my very dear and never well praised girlfriend) said that she gets her holidays on August but we won’t go anywhere because I have no holidays. To what the other person replied “ah, what a pity. But hey, your work is as if you were not working,so…”. Finally, we said goodbye very politely and went to take the coffee,
In other words, do work at home is not working?. Let’s see, the Cambridge Dictionary defines work as: 1.verb (I/T) to use effort in doing something, esp. a job or to use effort for (a period of time), for which you are paid and job as: noun [C] the regular work which a person does to earn money. Among several other meanings that are beside the point. What is most annoying is when the person who says that, works in an office, sitting in front of a computer. In other words, compare workdays:
That person gets up, goes to the office, working his 8-hour day (ignore overtime if any), goes to his/her house and forget (usually) about work until the following day.
In my case (I speak for me since I do not know anyone else who works at home), I get up, put me in my studio in front of the computer and start my day ….. and that’s it. I do not know when I will finish each day, but the norm is that 8 hours are few. The worst thing is that you can not forget about the work. You have it a couple of steps away from your TV, your bedroom, and so on. Anyone, whether being at home remembers an item of work the best he/she thinks is “tomorrow, when I get to the office will do this or that,” or “I have to pass these reports”, etc., and then, can focus on something else. If I remember any item of work while watching TV, usually get up, sit in front of the computer and do that in what I’m thinking …. whatever the time it is. We must be fair and say that also influences the nature of work of each one, in my case, I am an illustrator, implying that I never stop thinking about that drawing you’re doing at that time, or you are not “teleworker” (I hate that expression, by the way).
But finally, it seems that, leaving apart the dictionary meaning, for most people, the fundamental difference by which a “decent and normal” work is defined as such is the fact of having to travel to come to it. It does not matter you work comparatively more hours, it does not matter you can not disconnect from work. As you are not “going to the office” you’re not working. For most, work at home is like having a perpetual holiday and power to do what they want, when they want and no one tells you anything. Very nice on paper, although no one usually look at the disadvantages. While it is true that you have greater flexibility, that “nobody will tell you anything” can end up being a disadvantage because you still have to meet delivery schedules exactly as if you were working in any other place, but with the disadvantage that have many more distractions. It’s also a lonely job, you do not have colleagues with whom discuss the day, you can put the messenger on and chat with someone, but not the same thing and at the end it’s all chatting rather than work. That for not commenting on the constant interruptions from people who, without malice, thinks that like you’re at home can ask anything without having to worry because “you can finish what you’re doing later can’t you?”. As a curiosity, just say that I have met many people (on the Internet, in several illustration forums) who used to work at home and finally stopped doing so because they could not stand it. They set up a studio with several coleagues for, at least, “go to the office” and be able to disconnect from work or they accepted a “normal” illustration related office work. In my case, at least for the moment, what I’m taking it pretty good, but you never know.
Anyway, I do not intend with this post to analyze the pros and cons of one type of job or th other. I just simply wanted to record and write for venting.
Let the “discussion” of who works more, a bricklayer or a clerk for another day…
Well, at last I can show you some of the work thay we have been working on in recent months. And that is few pictures of Godspeed: One: Secret Legacy, a fully digital spanish production TV Movie in which I was responsible for production design of some of its elements. But I joined the team when production was already well underway.
At last the official trailer has come to light. Yyou can find, along with the teaser in its official website. On the same website and in the Extras section you’ll find some samples of my work in the movie (for the moment everything in this section is made from me) namely, the concepts for whom the superb 3D team has modelled what finally will be displayed. In the rest of the page you can see samples of the wonderful work done by other people who have taken part in the production and details of the story.
Now to wait until the film finally see the light that will be, hopefully, soon. Perhaps the future brings us more Godspeed ……….
And, to show something, here you have a panel of the Godspeed comic … and of course the Link to the official website.
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